Jewel in the Lotus

Posted on February 12, 2014

Transparent Lace Sculpture
Materials: Bronze and copper (patinated, enamelled or gold plated) with turquoise and carnelian
Techniques: Milanese braids, free-form lace, beading, wire wrapping
65cm x 65cm x 18cm

Jewel in the Lotus

Category: Sculpture, Updates Tagged: bronze, copper, handmade bobbin lace, jewel in the lotus, metal, sculpture

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Bobbin Lace Technique

Posted on February 12, 2014

Bobbin Lace is an off-loom weaving technique worked on a lacemaking pillow. Threads (wires), each wound on its own bobbin, are crossed and twisted in a specific sequence to create open weave patterns. Work is secured by pins, which serve mainly as an anchor points for tensioning, and are removed when no longer needed. Finished lace made in wire is strong and sturdy and can be mounted flat on a background or shaped into three-dimensional forms. Basic steps of the process are:

Drawing and drafting the patterns
Preparing a pricking (work template)
Winding thread (wire) on bobbins
Making lace
Finishing (using metalworking techniques)

Drafting lace pattern

Preparing pricking

Winding bobbins

Lacemaking pillow on a stand

Lacemaking with bobbins

Finishing metal lacework

Category: School Tagged: drafting, finishing, handmade bobbin lace, lacemaking, pricking, winding bobbins

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Divine Beauty

Posted on February 12, 2014

Divine Beauty

A Tribute to Sandro Botticelli
Materials: copper and bronze – enamelled, patinated or gold plated; amber, fresh water pearls and crystal beads
Techniques: free form bobbin lace, point ground, braiding, beading
81cm x 69cm

This work was created for the International Lace Competition of the 14th Edition of the Biennale Internazionale del Merletto in Sansepolcro, Italy, 2010. It is now in the Centro Culturale Sansepolcro’s International Lace Biennial Collection.

Artist’s statement:

Sandro Botticelli’s art has significantly influenced my work. He was one of the first artists to paint gold lace decoration on garments; therefore his paintings are invaluable for my research of early metal laces. Lace was painted in such exquisite technique, that it is possible to trace many original patterns of braided laces in a minute detail. I haven’t found any written records about gold bobbin lace from that time, thus Botticelli’s work has remained the essential source for my lace work.

I fell in love with his paintings not only because of lace. I have also found great inspiration in the way Botticelli portrayed women in his paintings. His ability to capture female inner beauty and strength is awe-inspiring. Loving and compassionate gaze of his Madonnas and goddesses reveals deep spiritual dimension with radiance that has not been surpassed by any other painter. Botticelli’s genius gave a visual form to Dante’s poetry – Beatrice became alive in his paintings and brought Divine Love to the Earth.

I have been inspired to create an original lace work that celebrate women in Botticelli’s paintings. I borrowed a breast shield from Camilla (Minerva), wreath of flowers from Primavera, braids from Simonetta, pose from Venus and aura from Madonna – and interwove them in a lace picture. “Divine Beauty” is my tribute to the great master of the Italian Renaissance, Sandro Botticelli.”